Gaze Back
- Description
- About the Author
-
What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe?
Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised.
GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised. -
Marylyn Tan is a linguistics graduate, poet, and artist interested in conditions of alienation and marginalisation. She has performed at the Singapore Biennale, the Singapore Writers Festival, SPEAK., and she has also been featured in various print anthologies, such as Rollercoasters and Bedsheets, A Luxury We Must Afford and Inheritance | The Anthology. Gaze Back is her first published book.
Description
- Description
- About the Author
-
What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe?
Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised.
GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised. -
Marylyn Tan is a linguistics graduate, poet, and artist interested in conditions of alienation and marginalisation. She has performed at the Singapore Biennale, the Singapore Writers Festival, SPEAK., and she has also been featured in various print anthologies, such as Rollercoasters and Bedsheets, A Luxury We Must Afford and Inheritance | The Anthology. Gaze Back is her first published book.
